Meh. Got nothing else to do at work, so might as well do one of the ol' "track-by-track" reviews that everyone always hates reading on Amazon and such

Erase Me -- Great track. Love how different it is basically from anything else they've ever done. The manic solo at the end is great, really drives home the mood of the song of someone trying to keep it together through somewhat detached sarcasm but who is starting to unravel. It's also the best piano work on the album.
Michael Praytor -- The intro is suuuuuper 90s, which I love of course. The rest of the verses and choruses are fine, with the harmonies really shining when emphasizing "sky." Bridge jam is good stuff as well. Oh, and the last Darren fill is great.
Sky High -- Good Darren song. His lyrics provide a nice contrast to the songs around them, as they're not as literal as others.
The Sound of the Life -- Actually like this one a lot, not sure why some people are/were down on it. Everything about it, including (or especially) the production sounds vintage BFF. The chorus (specifically the harmonies) is what does it for me. I like how they arranged the background vocals into the verses as well. I'm ok with the lyrics, except for the "rocks like a mother" line. Wish Ben would've changed that one. Also feel like the last two verses of the solo were a good time for a sweeping run down the scale to contrast the preceding chords, but ah well.
On Being Frank -- This is just OK. The lyric saves it, which isn't a bad thing though. I like the "home being someone else" line a lot. I don't have a problem with the solo -- kinda cheesy, but that fits with the song. Every time the song starts I always hear "Ladies and gentlemen, Mr. Barry Manilow!" in my head during the intro.
Draw A Crowd -- Definitely catchy (but so is herpes), but in a good way of course! Love the 3 lead-ups into the refrains, and how they're different each time. The vocal syncopation during the "so smooth you can hear the beard" line between Ben and R&D is a lot of fun, and coupled with the lyrics creates a really great energy.
Do It Anyway -- A good jam song, basically. Nice work from Robert on this one.
Hold That Thought -- Really blossomed after the first listen. Everything just works well together. Reeaalllyyy wish we got to hear the pink-floyd chord in the bridge more than once, but I get the effect they were going for by only doing it once. I like the extended piano line toward the end, and with it how they're musically "holding that thought."
Away When You Were Here -- Great song. Best lyric on the album IMO. I can see what Ben was talking about when he said in an earleir interview that this one was a "sleeper."
Thank You For Breaking My Heart -- I feel like Ben had this one in his back pocket in case the musical project ever came to fruition, but since it probably never will, he decided to bust it out for this. Don't understand any negativity towards this one to be honest. I think from a songwriting standpoint it's definitely the best track on the album. Just like with "Hold That Thought," I like how the music plays off the lyrics in this one (the extra measure in the verses signifying the waiting and subsequent silence). Really great song.
Overall I'm pretty pleased with how it turned out. 8/10 sounds about right. Can't wait to see them live though (will be my first time ever) -- have a feeling some songs will really open themselves up even more.